
“The challenge - and the thrill - lies in
staying relevant on social at the speed of culture.”
Woei Hern Chan joined VaynerMedia as
APAC Head of creative two years ago, armed with a vast range of experience
covering creative, media, content and film, plus a relentless curiosity across
platforms, and a genuine passion to develop great people. He joined VaynerMedia
from VMLY&R Commerce, where he was the Executive Creative Director of
Malaysia and Southeast Asia, responsible for the agency’s growth in creative
commerce. Prior to that he was ECD and a founding member at ensemble IPG
Mediabrands, where he grew the team from four to 80, while winning Petronas and
Maxis, two of the biggest Malaysian brands and contributing substantially to
three successive Agency of the Year wins at the Malaysia Effie Awards. A big
supporter of social causes, Woei Hern was also involved as a mentor at
Malaysia’s Global Innovation Centre’s Accelerator Programme for social
enterprises and as a consultant creative for Cancer Research Malaysia.
Woei Hern discussed with ADFEST the
reintegration of media into creative agencies, the industry’s current
challenges, and the goal that fires every creative’s ambitions – making work that is recognised as great.
ADFEST: What collisions have
challenged – or helped - you most in the last twelve months?
Woei Hern Chan: Past 12 months? How about the past week? The challenge -
and the thrill - lies in staying relevant on social at the speed of culture.
That’s what keeps me awake and alive. More brands now have the intent to be
relevant in social and culture, and what’s exciting is seeing more of them
actually committing to it. Not just paying lip service, but relooking at how
they show up, engage audiences, and invest in that transformation. That shift
in mindset has been one of the biggest collisions.
ADFEST: The Entertainment category has fewer “advertising musts” to deal
with. What will you be looking for when judging this category at ADFEST. What
makes work that is great?
Woei Hern Chan: This is one of the most exciting expressions of commercial
creativity. I’ll be looking for work that, first and foremost, comes across as
exactly what the category is - entertainment. Work that, if you ask nine out of
ten people, they’ll say they love it—and they won’t say, “It’s an ad.” It
should be something audiences actively seek out, rather than something they
skip. Work that seamlessly weaves brand storytelling into the narrative, making
it feel natural rather than forced. The best entertainment-driven work doesn’t
interrupt culture—it becomes part of it.
ADFEST: What do you think are the
greatest challenges in the advertising industry in your region right now?
Woei Hern Chan: We talk a lot about the lack of talent in the industry. But the
greatest challenge? Being relevant enough to attract talent in the first place.
If the best young minds are choosing gaming, startups, or content creation over
advertising, that’s on us. We need to prove that our industry is where they can
do the most exciting, impactful, and culturally relevant work. It’s not just
about hiring—it’s about making advertising a career of choice again.
ADFEST: VaynerMedia is one of a handful of agency groups that covers
media. All agencies used to. Why do you think it’s important for media to live
in the same home as creative and strategy?
Woei Hern Chan: Platforms are already saying that ‘creative is the variable’ in
performance. If that’s the case, then creative and media need to work hand in
hand, every day, to win on social and at speed. We’re seeing a shift, a
blending of skills, where traditional agency silos are breaking down. The best
work today doesn’t just live in one discipline. Creative, media, strategy, and
data need to be in constant conversation to make sure we’re not just making
great ideas, but making them work in the real world.
ADFEST: What do you think are the three greatest pieces of work in the
categories you are judging (from any time in history, and why?
Woei Hern Chan: Wow. Too many to choose from. And honestly, I’m not even sure if
these won in these specific categories.
Entertainment: Red Bull Stratos. This wasn’t just marketing; it was a moment in history. Everyone tuned in. Everyone talked about it. And it was all tied to the brand’s DNA of pushing human limits. Legend has it everyone was waiting for it to pick up Cannes. Except everyone at Red Bull who were looking forward to it picking up an Emmy.
PR: Michael Ceravé. Easily one of my favourite PR plays in recent years. Brilliantly orchestrated, flawlessly executed, and ridiculously brave of the client to go all in on it. It blurred the lines between marketing, pop culture, and internet mischief in the best way possible.