From the crazy
colourful to the serenely beautiful, let’s take a look at the ADFEST 2020
Branded Entertainment Lotus and Effective Lotus winners.
“If there’s one
thing that makes ADFEST’s Branded Entertainment Lotus category unique, it’s the
creative diversity on show. From the crazy colourful to the serenely beautiful,
every year brings spectacular new productions before ADFEST juries, because
that’s what Asia Pac’s multitude of different audiences demand,” says James Burchill, Creative
Founder, Rumble/Rumbletown Group, Brisbane, who was one of nine jurors
overseeing the Branded Entertainment Lotus & Effective Lotus categories.
“I observed a return to wonderful story
telling, designed to surprise and entertain, to touch the audience on an
emotional level and leave a lasting impression of the brand.”
The jury awarded one
Gold trophy in Branded Entertainment Lotus to TBWA\HAKUHODO Tokyo for
Para Ping Pong Table’s ‘The Most Challenging Ping Pong’ table.
“This campaign
connected us with Paralympians in a new and deeply thoughtful way,” explains
Burchill. “Carefully engineering ping pong tables to
demonstrate how each player’s physical challenge makes them even more unique
was a wonderful insight. We felt the campaign would create a whole new respect
for the players and the sport. The idea, including the Ping Pong tournament,
was irresistible.”
Baris
Gencel, Creative Director, Digital & Technology, Shanghai, also judged
these categories and says: “Ping
Pong Table was a simple idea and design piece that showed people the
challenges faced by para-athletes. We have seen previous stunts in similar
scenarios, but this one was brilliantly executed and made a difference for the
people who need it.”
Akae
Wang, Executive Creative Director at Tencent in Shenzhen, adds: “We actually
spent a little bit of time defining what Branded Entertainment is, especially
in the context of film. I am always very skeptical of online videos that are
longer than five minutes or even 10 minutes. I don't think a video can be
produced by just throwing it on any video platform, even if it has good
content. I'm more interested in seeing genuine media creativity and effective
spending data than just a microfilm.”
Gencel
agrees: “Honestly speaking,
what worries me is the length of the content. We were watching films that were 10-20
minutes long. We need to really think about this seriously: our job is to make
great commercials with a minimum duration. We need to tell stories in more
efficient ways: short commercials can deliver effectiveness efficiently,
because commercial length has diminishing returns, so I strongly believe we
need to get back to our roots. We are in the digital age where attention spans
and patience levels have changed. We need to catch attention and grab consumers
with big bangs, this kind of effect you won’t create in a 10-minute film.”
The
jury awarded two Gold trophies
in the Effective Lotus category: Loong, Beijing for Tencent Foundation’s China
Organ Donation, ‘A Team of One’ and Dentsu Inc., Tokyo for Tohoku Shinkansen, ‘Get back, Tohoku!’.
This poster series consists of an
almost decade-long body of work, which demonstrates the client’s pure
dedication to print design, season-after-season.
Regarding ‘A team
of One’, Gencel says: “We have seen organ donation campaigns before but none
like this. It is creative, authentic, true and very effective work. There were
8.26 million clicks and shares on WeChat in 3 days, and 1.36 million trending
hashtags in 3 months.”
Regarding
‘Get back, Tohoku!’ Wang says: “This series of posters uses the quietest voice
but has the power like a tsunami to touch every user who loves railroad travel.
This campaign is already a classic, and years later, this set of works still
continues to look at the scenery in those inconspicuous stations. If I could see
it, I would love to steal it, really.”
Gencel
explains: “The posters, now in
their 9th year, have largely remained the same in concept. They typically
feature minimal but powerful photos of trains with the slogan in small, bold
letters. At the bottom of the poster, in small font, it reads ‘You can’t meet
by e-mail. Meet on the rails’. Presenting trains as heroic figures that
unite people and communities has lifted the spirits of a suffering nation and
contributed to the recovery of the railway and the entire Tohoku region. The consistency
of art direction and craft is brilliant. You won’t easily see campaigns as
long lasting and effective over many years. It is a great example of how
Effective Lotus winners should be not just about numbers but also creativity,
craft and art where ideas move people and improve life and businesses.”
Or as Burchill
says: “There may not be a literal campaign message, but we felt the enduring
beauty of the train as depicted in each iconic print, is the message itself.
This is one of those times when advertising truly is art.”