{"code":0,"data":[{"keyword":"SUB CATEGORY","content":"SCRIPT","is_link":false},{"keyword":"ENTRANT COMPANY","content":"DENHOUSE SDN. BHD., KUALA LUMPUR","is_link":false},{"keyword":"TITLE","content":"KAPAL KERTAS","is_link":false},{"keyword":"BRAND","content":"THE KANCIL AWARDS AND CREATIVE FESTIVAL","is_link":false},{"keyword":"ADVERTISER","content":"4AS MALAYSIA","is_link":false},{"keyword":"FILM PRODUCTION COMPANY","content":"DENHOUSE SDN BHD, KUALA LUMPUR","is_link":false},{"keyword":"MANAGING DIRECTOR","content":"RAZLAN SAHARUDIN","is_link":false},{"keyword":"CONSULTING DIRECTOR","content":"ADRIANA TUNKU","is_link":false},{"keyword":"DIRECTOR","content":"AMIRAH ARSHAD","is_link":false},{"keyword":"DIRECTOR OF PHOTOGRAPHY","content":"MATTHEW CHOW","is_link":false},{"keyword":"CINEMATOGRAPHER","content":"MATTHEW CHOW","is_link":false},{"keyword":"CAMERAMAN","content":"MATTHEW CHOW","is_link":false},{"keyword":"GAFFER","content":"IKHWAN LOKMAN","is_link":false},{"keyword":"ASSISTANT DIRECTOR","content":"TASNEM RAIN","is_link":false},{"keyword":"EXECUTIVE PRODUCER","content":"RAZLAN SAHARUDIN","is_link":false},{"keyword":"FILM PRODUCER","content":"FAZWA JUHARI","is_link":false},{"keyword":"PRODUCTION MANAGER","content":"RAIS AQIL","is_link":false},{"keyword":"PRODUCTION DESIGNER","content":"SK LING FUNG LIONG","is_link":false},{"keyword":"SOUND RECORDIST","content":"CHEAH JIE JUAN","is_link":false},{"keyword":"LIGHTING","content":"IKHWAN LOKMAN","is_link":false},{"keyword":"CASTING","content":"FARAH MIOR","is_link":false},{"keyword":"STYLIST","content":"DARREN SIEW","is_link":false},{"keyword":"WARDROBE","content":"ZI QING","is_link":false},{"keyword":"HAIR & MAKE-UP","content":"DENISE SEE","is_link":false},{"keyword":"POST-PRODUCTION COMPANY","content":"TECHNICA STUDIOS SDN BHD, KUALA LUMPUR","is_link":false},{"keyword":"EDITOR","content":"JOHAN ARIF MAZLAN","is_link":false},{"keyword":"COLORIST","content":"TJ SEE","is_link":false},{"keyword":"GRAPHIC DESIGNER","content":"AZRUL ZAINAL","is_link":false},{"keyword":"POST PRODUCER","content":"AMRAN RAHMAT","is_link":false},{"keyword":"SOUND PRODUCTION COMPANY","content":"TWO AM MUSIC STUDIOS, KUALA LUMPUR","is_link":false},{"keyword":"SOUND DESIGNER","content":"JASON LEE","is_link":false},{"keyword":"SOUND ENGINEER","content":"JASON LEE","is_link":false},{"keyword":"SOUND EXECUTIVE PRODUCER","content":"KIT KUAN LEONG","is_link":false},{"keyword":"SOUND PRODUCER","content":"DARNA AMINUDDIN","is_link":false},{"keyword":"MUSIC DIRECTOR","content":"ADRIENNE YONG","is_link":false},{"keyword":"MUSIC COMPOSER","content":"PRISCA LEONG","is_link":false},{"keyword":"ENGLISH SYNOPSIS","content":"In a Malaysian village, a young teenage girl is beginning to dream. Each day, between being a sister, a daughter, and a student, she writes her hopes and dreams onto pieces of paper and folds them into paper boats. These paper boats, kapal kertas, are set afloat on the river, carrying her dreams to places she may yet see. \r<br>\r<br>This draws the attention of an older man - a friend of her late father. What begins as gentle conversation slowly turns into guidance, shaping what she writes, and what she imagines for herself. As the story develops, her paper boats no longer carry her own dreams, but his influence. Encouraged by the people around her, she is subtly led towards the idea of marriage, drifting unknowingly along a path shaped by others. The boats she sends afloat become a quiet testament to her stolen future.\r<br>","is_link":false},{"keyword":"ENGLISH CONTEXT EXPLANATION","content":"This film is inspired by the ongoing fight for girls’ right to education and the urgent need to end child marriage, an issue that remains relevant in many local communities in Malaysia. Growing up in a small village, I learned that education was never just about schoolbooks. It represented dignity, opportunity, and the freedom to dream beyond the boundaries of home.\r<br>In some communities, marrying an older man at a young age is often framed as rezeki, a blessing, not just by families, but sometimes by the girls themselves. This belief quietly normalizes the loss of choice and agency.\r<br>Kapal Kertas explores this subtle form of societal grooming, showing how expectations are gently imposed long before a girl is old enough to understand their consequences. The paper boat becomes a symbol of fragility and tension, carrying dreams shaped not by the girl herself, but by those around her. Through this metaphor, the film reflects the hidden pressures that shape a young girl’s understanding of her future.\r<br>","is_link":false}],"files2":[{"name":"CF02_005.mp4","type":"mp4"}],"count":1}